Photographed unframed - shown at the supplied resolution (0 px)
Lahnungen 3 (Fascines 3)
Ruediger Ganslandt · 3 works in this exhibition
- MediumIntaglio print on paper
- Image size20 x 15 cm - framed 43 x 31 cm
- Edition1 of 25
- Year2025
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About the artist
In an age when images can be created with a single click on a mobile and accessed anywhere in the world with another click, printmaking with its slow, artisanal process takes on a significance beyond its historical function as a means of reproduction. For me, the process of etching and printing is at least as important as the motif, and this process should leave a distinct mark on the picture. This means deciding against printing techniques that are close to pictorialist photography and opting instead to grapple with copper, acids, lyes and a challenging dry film that significantly limits grey scale and resolution. For me, my role as an artist lies in isolating a motif in the frame of a photo, in further reducing it towards the meaning that made me choose it, and then in controlling a process that (hopefully) makes this meaning visible in an intaglio print. My inspiration comes primarily from the coastal landscape in which I live or the places I travel to.
Born in 1955. I graduated in art at RWTH Aachen University (Germany). Alongside the compulsory specialisation in sculpture, my personal focus was on etching and photography. Even whilst I was a student, I had the opportunity to contribute to a number ofinterdisciplinary books on modern art history. Keyboard and screen gradually pushed printing press and camera further into the background, and writing about an ever-wider range of topics became my profession for many years. However, I have now picked up where I left off during my student days and am working on developing my own visual language for photo etchings.
About the artwork
Photo etching on copper. Dry negative-film, double exposed with a stochastic aquatint screen and a positive slide. Etched with Iron III chloride. Printed on my ABIG 17030 press with Akua intaglio ink carbon black on Hahnemühle paper 350 g/m2, soft surface, natural white. Along the North Sea coast, constant work is required to protect the land behind the dyke. Fascines are used to retain silt and create areas where plants can take root. Not every attempt to reclaim land is successful, often rows of old, weathered and overgrown fascines remain that lead nowhere %u2013 their strong contrasts and negative contours creating an irresistible graphic motif.